Dead End movie backdrop
Dead End poster

Dead End

THE GREATEST GANGSTER THRILLER THAT EVER EXPLODED FROM THE SCREEN!

7.0 / 1019371h 33m

Synopsis

The lives of a young man and woman, an infamous gangster and a group of street kids converge one day in a volatile New York City slum.

Genre: Crime, Drama

Status: Released

Director: William Wyler

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Main Cast

Sylvia Sidney profile

Sylvia Sidney

Drina

Joel McCrea profile

Joel McCrea

Dave

Humphrey Bogart profile

Humphrey Bogart

"Baby Face" Martin

Wendy Barrie profile

Wendy Barrie

Kay

Claire Trevor profile

Claire Trevor

Francey

Allen Jenkins profile

Allen Jenkins

Hunk

Marjorie Main profile

Marjorie Main

Mrs. Martin

Billy Halop profile

Billy Halop

Tommy

Huntz Hall profile

Huntz Hall

Dippy

Bobby Jordan profile

Bobby Jordan

Angel

User Reviews

CinemaSerf

OK, so this is definitely not the cheeriest of stories but Bogart and Joel McCrea are on good form throughout this gritty drama of hardship and depravity on the East Side of New York. "Baby Face Martin" - who, to be fair, maybe benefits a bit optimistically from the moniker - returns to his childhood home to reunite with his mother and childhood sweetheart. His mother wants nothing to do with him and his ex "Francie" (Claire Trevor) turned to prostitution and hasn't long to go before syphilis does for her. Meantime his friend, aspiring/struggling architect "Dave" (McCrae) is juggling his romantic interests between sweet but rather dreary "Drina" and "Kay" (Wendy Barrie) who already has a rich boyfriend. All of this misery is made all the more poignant by the fact that this ghetto is overlooked by the apartments of the wealthy that have relocated to new properties that overlook the adjacent East river. When Bogart decides that he wants to re-assert himself in the community by organising a high-profile kidnapping, he and his erstwhile friend find themselves on opposite sides of the plot! The crime drama is there, but it is comparatively weak compared with the pretty blatant social commentary from Lillian Hellman's screenplay that draws attention, unashamedly, to the stark contrast between the standards of living (and dying) of those just yards apart.

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